Tag Archives: Mike Cavallaro

New York Comic Con 2013

New York Comic Con is just days away, October 10 – 13 at the Jacob Javits Center, NYC. You know the drill — anything and everything even remotely related to comics assembled with all the subtlety of a crowded Atlantic City casino floor.

I’ll be there wandering around for the most part, but also on hand for the following:

THURSDAY:
– Archie Action Hour: Sonic the Hedgehog, Mega Man and Red Circle Comics

Thursday, October 10, 7:30 pm – 8:30 pm, Room 1A01

Speakers: Jamal Peppers, Jon Gray, Mike Pellerito, Paul Kaminski, Ryan Jampole, Dean Haspiel, Ian Flynn, Mike Cavallaro

Description:
Get ready for action in New York! This year saw the two most popular video game characters Sonic the Hedgehog and Mega Man join forces for the first time ever in this year’s biggest comic book crossover event: “Worlds Collide”—now the dust has settled and it’s time for the iconic blue heroes to get back to battling for their respective home worlds post-crossover! In addition learn more about the future of the critically hailed Red Circle superhero comics New Crusaders and The Fox!

FRIDAY:
I’ll be signing the 16-page free flip book preview of THE FOX miniseries, featuring THE SHIELD backup feature I’m working on with J.M. DeMatteis and Terry Austin.

Where: The Archie Comics Booth #1936
When: 5pm-6pm with Dean Haspiel

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The Shield!

I’ve been working this up with writer J.M. DeMatteis, inker Terry Austin, and colorist Steven Downer for Archie Comics’ Red Circle imprint: The Shield [created way back in 1940 by Irv Novick] will debut as a back-up feature in The Fox #2 by Dean Haspiel and Mark Waid.

Comic Book Resources has the scoop: LINK

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Something new

Have been putting together a new project with friends Marc and Tom. It’s taken me forever, squeezing this development stuff in-between everything else, but we seem to have put the finishing touches on our presentation. Below, written by J.M.D., inks by Tom Ryder, pencils and colors by me — wish us luck!

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“Curses! Foiled Again”, “Nico”, & The Phoenix

“Curses! Foiled Again”, the sequel to “Foiled” by Jane Yolen and I, is set to be released on January 8th, 2013 by First Second Books. A bunch of very good advance reviews are already in from Kirkus, Booklist, Publishers Weekly, School Library Journal and Voya, and the book’s been awarded a 2012 Junior Library Guild Selection. That all adds up to a great beginning for the New Year. Check out the reviews on the “Foiled” page, HERE.

Meanwhile, I’ve been working on a few things, including a project at Aaron Augenblick animation studios here in Brooklyn, where I was able to learn quite a bit of Flash, spent some time working on a Cintiq tablet, and met a bunch of very awesome animators and cartoonists. Meanwhile, I’m still plugging away at Decelerate Blue, my current graphic novel with author Adam Rapp for First Second Books, making my way through the pencils, a little slower than I’d like, but getting good results, I think. Also, just finished writing, penciling, inking and (hand!) lettering a new Nico Bravo story for The Phoenix Weekly Comic Magazine in the U.K.

The Phoenix is a British weekly anthology comic magazine for kids with contributions from cartoonists like Nick Abadzis, Patrice Aggs, John Aggs, Gary Northfield, and many others, including myself. The comics themselves are beautifully produced, funny, silly, sometimes even educational, and (stunningly) are all creator-owned! I can’t think of another comics magazine that’s even remotely similar. I don’t normally rave about something I’m actually contributing to, but every so often you get the opportunity to participate in something that you know is special and unique, and almost too good to be true. The Phoenix is one of these.

This week, The Phoenix launched their iPad app and are offering a pretty amazing introductory subscription rate — six months of weekly comics for £9.99 (UK) / $13.99 (US) if you place your order during the first week of the app’s launch.

It’s a great way to introduce yourself and some lucky young comics fan to the variety, fun, and quality The Phoenix has to offer.

The link to the iTunes app is:
https://itunes.apple.com/gb/app/phoenix-weekly-story-comic/id583824799?mt=8

You’ll get the whole first book of CORA’S BREAKFAST by Nick Abadzis and future episodes of NICO BRAVO by me, plus many other stories by top-notch British cartoonists. Please lend your support by sharing the link, especially with parents of kids who are into comics.

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Simplify, simplify, simplify

The problem with having to come up with a different approach to each new project is having to come up with a different approach to each new project. In the case of DECELERATE BLUE, looking for an line art style that can keep up with the story and evolve along with it. At the beginning, searching for something that portrays the characters’s coldly efficient lifestyles. From thumbs to final pencils, trying to exclude as much as possible. Just necessary lines and solid black or white areas.

Page 1 preliminary thumbnail sketch:

DECELERATE thumbnail pg 001

Rough pencils:

DECELERATE pencil rough 001

Final pencils:

DECELERATE pencils 001

Page 2 preliminary thumbnail sketch:

DECELERATE thumbs 002

Rough pencils:

DECELERATE rough pencils 002

Final pencils:

DECELERATE pencils 002

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More Decelerate Blue concept art

Just a few days after the last bit of concept art, Mark Siegel encouraged me to keep pushing the visual style for DECELERATE BLUE. I continued with some of the ideas from the first sketch, while trying to take things up a notch. Used more lost lines (but still not enough…), and tried to hint at the narrative, with the circuit board shapes morphing into the more organic human heart and veins. Tried to develop characters a little more. I like a lot of this, but it’s not perfect.

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“Mars” book launch

I contributed an illustration for Garth Nix’s story in this anthology collection of tales inspired by Edgar Rice Burroughs’ “John Carter of Mars” series, published this month by Simon & Schuster. Come celebrate “John Carter’s” 100th birthday with us at PowerHouse Arena Books in DUMBO, Brooklyn, on Wednesday, February 22nd, 7 – 9pm. More info below:

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Home of the Brave

I got a few minutes into this recent episode of the “Batman: The Brave and The Bold” animated series when I realized it features some backgrounds I had painted a few months ago. A really fun sequence featuring a baseball game between the Justice League International and the Legion of Doom, from the “Triumvirate of Terror” episode. I love the Al Plastino-esque Superman design, by the way.

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HISTORY

Some of you older readers might remember something called a “compact disc.” Like the name suggests, these were relatively small, shiny, plastic repositories for almost any sort of digital file(s) under 700 megabytes. Most people my age first encountered them as a way to buy music. “Buying” is when you purchase something, in this case legally, with money, instead of downloading it for free. Speaking of which, we used to “buy” these things in “stores”, but not the kind you’re thinking of! No, these stores were actual physical locations! Imagine a first-person video game where the goal is shopping instead of shooting, and you’ll have some idea what it was like to get in the car and drive over to one of these “music stores.”

If I haven’t already convinced you that the past was actually some sort of dystopian future, now try to imagine that compact discs were the new kid on the block, and that what we had for, I dunno, centuries or something were vinyl records. Records were like the scary older cousin of compact discs; feathered hair, kind of a moustache, smells like cigarettes, stays out late. Crazier still, you needed something called a “turntable” in order to play one of these records, because at 12” in diameter, they couldn’t fit into a computer. In fact, outside of the hidden kingdom of Wakanda, there were no computers!!!

During this time-lost era, nomadic tribes roamed the wastelands in a rag-tag assortment of vehicles, sometimes forming fragile unions, but mostly vying against each other for control of scant resources. That’s right, I’m talking about punk rock bands like the ones I blew a good 10 years or so playing in. Mine limped through floods, fires, fights, frights and flights with all the highs, lows and body blows that come with the territory. I learned a lot, was confused by other things, made friends, lost some of those, did a lot of driving, broke stuff, and spent tons of money. Despite repeated disasters, I look back on all this fondly. My best friends are the ones I made during this time. There’s something about driving a flaming van down the sheer side of a mountain that just sort of … bonds you for life. No matter what else you do later on, this stuff kinda of sticks with you.

After about six years and six tours and a bunch of these records I’ve been talking about, one of these bands of mine had broken up and I was pretty broken up about it. Meanwhile, I had written a song with my friends in The Bouncing Souls, and they wanted me to come out to L.A. to record it with them. It seemed like a good opportunity to get out of my funk. I packed my guitar and flew out there, swearing I was done with bands and music after this. Instead of flying back home though after the recording sessions, I decided to tag along and drive back to New York with the Souls, which took about a month. The Souls insisted I was a “guest” and wouldn’t let me do anything, like drive. I think they thought I’d kill us all. But that left me with nothing to do but play guitar in the truck. By the time we got back to New York, I’d accidentally written half an album’s worth of new songs. I put another band together and we eventually recorded it all in a tiny studio in Pennsylvania. We couldn’t find anyone to put it out though. That band fell apart, we all went on to do other stuff, and I eventually forgot all about that record.

Something like 15 years passed. The internet was created, and as a result, I got an email from Matt Von and Jeff Ogiba of Psychic Volt Records. Psychic Volt is a new breed of old skool record label, specializing in small print runs of actual vinyl records. They sell these with digital download codes for people who don’t have turntables and don’t want music to sound good. Anyway, Matt and Jeff had heard about the unreleased record and offered to put it out, and I said, “YEAH, OVER MY DEAD BODY!” No, seriously folks, I said “Yeah, sure, why not?” So, I drew up some cover art and they did the rest and this strange artifact will see the light of day in the next few months.

If you want to hear what I sounded like a decade and a half ago, breaking guitar strings and screaming over a cacophony of distortion in a Pennsylvanian basement, you can order the self-titled Johnny X and the Conspiracy full-length vinyl record via the internet at the Psychic Volt “webstore.” That’s like a real store, only it’s always open and lives in your computer.

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